Few Old Buildings on Mcleod Lahore

 11-07-2022

McLeod Road in Lahore is named after Lieutenant Governor Donald McLeod who played a significant role in the administrative landscape of the region. It is not just an ordinary road, but a living testament to the historical figures who have left an indelible mark on the region. The avenue is a repository of history, echoing the events that unfolded during the Partition of British Hindustan in 1947. With pre-partition buildings standing tall, the architectural remnants whisper tales of a tumultuous past. McLeod Road perfectly encapsulates the fusion of history and modernity, inviting both locals and visitors to immerse themselves in the rich narrative of Lahore's evolution.

Sonheri masjid Walled City Lahore

January 20, 2013 

Sonehri Mosque, also famously known as Masjid Talai, stands as a magnificent testament to the late-Mughal era. Nawab Bhikari Khan, the son of Raushauddawla Turrabbaz Khan and Governor of Lahore during the viceroyalty of Mir Moin-ul-Mulk or Mir Mannu, undertook the construction of this architectural marvel. Renowned for his triumphant battle against Ahmad Shah Durrani in Sirhind in 1748, Mir Mannu's reign saw Bhikari Khan assume the role of a confidante to Mir Mannu's wife, who acted as regent following her husband's demise.

Inspired by his devotion to religion, Bhikari Khan chose the vibrant setting of Chowk Kashmiri Bazaar to establish his mosque. Epigraphical evidence adorning the prayer chamber's facade reveals that the mosque was meticulously erected in 1749. The unique design of the mosque, with its slightly irregular layout and the inclusion of two access staircases, can be attributed to the constraints imposed by the site's limited space. Despite acquiring an open area within the Chowk (square), Bhikari Khan was unable to convince the religious authorities to incorporate an existing small mosque into his grand vision. It was only a century later, through the efforts of Deputy Commissioner Lahore, Captain Nisbet, that the concept envisioned by Bhikari Khan finally materialized. This was achieved by demolishing the aforementioned small mosque and integrating the space within the premises of the Sonehri Mosque.

Perched on an elevated vaulted platform, standing approximately 11 feet above the surrounding ground level, the structure spans a rectangular area measuring 102 feet by 45 feet. The basement comprises deep, narrow cells, while a flight of sixteen steps leads to a small entrance gate on the east side. In front of the prayer chamber, there is an open courtyard spanning 65 feet by 43 feet, complete with an ablution tank measuring 25 feet by 27 feet. The prayer chamber itself measures 40 feet by 16 feet and features minarets at the northeast and southeast corners, towering at an impressive height of 46 feet 9 inches, adorned with blind pavilions. The lime-plastered eastern facade of the prayer chamber, including the corner minarets, was originally embellished with fresco decoration showcased within panels of varying sizes.

The prayer chamber, characterized by a single-aisle 3-bay structure, is surmounted by three distinctive copper domes glistening with polished gilding, radiating their brilliance from afar. The four minarets marking the mosque's four corners are crowned with golden cupolas, meticulously reconstructed after their collapse during the earthquake of 1905.

Within the prayer chamber, four centered cusped arches, supported by robust three-foot-thick jambs, divide the space into three compartments. The central bay, slightly larger than its flanking counterparts, exhibits a nearly square shape measuring around 15 feet. Positioned at the center of the western wall, the mihrab serves as the focal point, complemented by similar niches in the two adjacent side bays. Pointed arched openings grace the eastern facade, while the entire interior is adorned with fresco work, although some portions suffered from later repainting, diminishing their original splendor.

The mosque's roof proudly showcases double bulbous domes, distinguished by a high neck at the springing level, adorned with a row of pseudo-acanthus leaves. These magnificent domes are crowned with gilded pinnacles, their inner structure comprising masonry enveloped by a wooden casing, covered with copper plates. The central dome reigns supreme as the largest among its counterparts.

Bhikari Khan's visionary decision to elevate the mosque above shops, allowing for rental income, ensured its maintenance even during the majority of the Sikh rule. However, a disturbance arose within the Sikh community when the Granth Sahib (the Sikh Holy Book) was placed in the adjacent baoli (stepped well) of Ranjit Singh. This prompted concerns regarding the call for prayer (azan) resonating from the mosque. Ranjit Singh ordered the removal of the mosque's custodian (imam) and the placement of the Granth inside the mosque, provoking dismay among the Muslim populace. Historian Kanhaiya Lal notes that it was the concerted efforts of Fakir Aziz-ud-Din and Noor-ud-Din, who sought the support of Gullu Mashki (a water carrier highly favored by Maharani Jindan), that ultimately influenced Ranjit Singh to reverse his decision. The imam agreed to lower the pitch of the azan and relinquish the rental income from the shops attached to the mosque, leading to a resolution of the issue.

𝐓𝐡𝐞 17𝐭𝐡 𝐂𝐞𝐧𝐭𝐮𝐫𝐲 𝐌𝐚𝐫𝐲𝐚𝐦 𝐳𝐚𝐦𝐚𝐧𝐢 𝐦𝐨𝐬𝐪𝐮𝐞 𝐚𝐥𝐬𝐨 𝐤𝐧𝐨𝐰𝐧 𝐚𝐬 𝐁𝐞𝐠𝐮𝐦 𝐒𝐡𝐚𝐡𝐢 𝐌𝐨𝐬𝐪𝐮𝐞

 

January 20, 2013 

Nestled on the eastern side of the majestic Lahore Fort, the Maryam Zamani Mosque, also referred to as the Begum Shahi Masjid, holds a significant place in history. This remarkable structure pays homage to Maryam Zamani Begum, the esteemed mother of the renowned Mughal Emperor Noor-ud-din Jahangir. Serving as one of the earliest mosques of the Mughal era, this sacred sanctuary was commissioned by Emperor Jahangir himself, exemplifying his regal support and patronage. The construction of this architectural marvel took place from 1611 to 1614 AD, showcasing the artistic prowess and meticulous craftsmanship of the era.

The Maryam Zamani Mosque stands as a testament to simplicity and elegance. Its grand presence captivates the beholder, and its intricate embellishments leave a lasting impression. Adorned with resplendent fresco paintings featuring mesmerizing geometrical, floral, and tendril designs, the mosque exudes an aura of beauty and splendor. Its architectural layout encompasses a main prayer chamber, distinguished by five arched openings. The central arch, as customary, stands magnificently larger than the others and boasts a half dome, adding an element of grandeur to the space. Opening into a serene courtyard, the prayer chamber overlooks an ablution tank positioned at its center, symbolizing purity and sanctity.

What truly elevates the Maryam Zamani Mosque to greatness is its meticulous attention to detail. The architectural plan, intricately designed, harmoniously combines structural elements with ornate embellishments. The fresco paintings adorning the walls, resplendent in their intricate patterns and vibrant colors, showcase the artistic finesse of the Mughal era. Additionally, the mosque's calligraphy, featuring eloquent verses from the Quran, adds a touch of divine beauty to the overall ambiance. Collectively, these architectural and decorative elements render the Maryam Zamani Mosque a distinguished masterpiece among the illustrious Mughal monuments, standing as a testament to the rich cultural heritage of the era.

As time marches on, the Maryam Zamani Mosque continues to inspire awe and reverence, attracting visitors from far and wide who seek to witness its magnificence and immerse themselves in the historical tapestry it represents. Its enduring legacy serves as a reminder of the grandeur and artistic brilliance of the Mughal dynasty, perpetuating a sense of cultural pride and admiration for generations to come.

Shab Bhar Mosque Lahore

14th August 2022

masjid to banā dī shab bhar meñ īmāñ kī harārat vāloñ ne

man apnā purānā paapī hai barsoñ meñ namāzī ban na sakā

In 1917, a significant event unfolded amidst a dispute between the local Hindu and Muslim communities over the ownership of a 3-marla site. The tensions arose when a Muslim individual offered a prayer on the vacant land, causing discomfort among the Hindu residents. Both communities expressed their desire to establish their respective places of worship on the contested site, prompting the intervention of British colonial authorities.

To settle the matter, the colonial authorities decided to send a judge to the site, tasked with determining which community rightfully owned the disputed plot. Sensing the importance of staking their claim, a wise Muslim lawyer advised his community to swiftly construct a mosque on the site before the judge's arrival. Their strategic reasoning relied on the British authorities' commitment to respecting existing religious sites, thus ensuring that ownership would likely be granted in their favor.

Under the guidance of an esteemed local wrestler named Gama Pehalwan, the Muslim community rallied together as volunteers following the evening Isha prayer. With determination in their hearts, they embarked on the task of constructing the mosque. The progress was remarkable, as reports indicate that by the morning Fajr prayer, the mosque stood complete and majestic.

As the judge arrived and examined the situation, he witnessed the awe-inspiring mosque that had materialized seemingly overnight. In a pivotal ruling, the judge declared the rightful ownership of the disputed plot in favor of the Muslim community, validating their efforts and solidifying their claim.

This tale of swift action, unity, and strategic thinking showcases the resourcefulness and resilience of the Muslim community during a time of contention. The mosque itself stands as a symbol of their dedication and perseverance, serving as a sanctuary for prayer and a testament to the triumph of communal harmony.

The events surrounding the construction of this mosque serve as a reminder of the power of community cohesion and determination in shaping the course of history. The story continues to resonate, inspiring admiration for the ability to overcome obstacles and achieve justice. In a world where the pursuit of religious freedom and inclusivity remains essential, this tale stands as a testament to the importance of respect and understanding among diverse communities.

Moti Mosque Lahore Fort

Picture taken on September 18, 2016

Situated on the western side of the fort, the Moti Masjid, or Pearl Mosque, stands as an exquisite testament to Mughal architecture. Crafted entirely from the pristine white marble sourced from the town of Makrana in contemporary Rajasthan, this relatively small yet resplendent structure captures the essence of elegance and devotion. While many buildings within the fort adhere to a predominant north-south orientation, the Moti Masjid deviates from this pattern to ensure that its mihrab, the central niche indicating the direction of Mecca, faces directly toward the holy city.

The outward appearance of the Moti Masjid, like many mosques, may seem unassuming and modest. Its entrance is restricted to a small door located at the northeast, near the Makatib Khana. Upon entering the mosque's antechamber, one encounters a dimly lit passageway that imparts a sense of enclosure. However, as the visitor crosses the threshold into the mosque's courtyard, a captivating transformation unfolds. Suddenly, they are greeted by a luminous panorama of radiant marble, reflecting purity and illuminating the space in stark contrast to the world outside.

The facade of the Moti Masjid is divided into five bays, with the central bay slightly projecting forward into the courtyard. This five-bay arrangement, a favored motif in Mughal architecture, was first observed at the Maryam Zamani Mosque and subsequently utilized in many significant Mughal mosques. Notably, the Moti Masjid diverges from the Maryam Zamani precedent by incorporating two transverse aisles along the western wall, adding a distinctive touch to its design.

It is worth noting that the Moti Masjid in Lahore is not the sole "Pearl Mosque" built during the Mughal era. Similar mosques bearing the same name can be found in Agra and Delhi, as it was a common practice among the Mughals to associate mosques with precious gemstones. The choice of "Pearl" reflects both the lustrous surface of the marble, reminiscent of a pearl's iridescence, and the mosque's comparatively modest size.

The Moti Masjid stands as a testament to the architectural finesse and devotion of the Mughal era. Its ethereal beauty, manifested through the gleaming white marble, evokes a sense of tranquility and reverence. As visitors explore its sacred space, they are transported to a realm where artistry and spirituality converge, leaving an indelible impression of awe and wonder. The Moti Masjid's legacy, shared with its counterparts in Agra and Delhi, serves as a shining example of the Mughal dynasty's enduring architectural brilliance and their commitment to creating spaces of profound significance.