Tuesday 30 April 2019

The Defaced Buddhist Rock Carvings at Rasha Ghata in Kokarai Village

18-04-2019
All Text own
All photos own



During my visit to Swat, I had the privilege of exploring various archaeological sites adorned with Buddha Rock carvings. One of the remarkable sites I visited was located in Rasha Ghata, nestled within the village of Kokarai. Kokarai, a union council in Tehsil Babuzai of Swat District in Khyber Pakhtunkhwa, boasted a rich historical heritage.

Accompanying me on this journey was my gracious host and dear friend, Mr. Majid F. Masud, a Swat native who had spent the last decade meticulously collecting photographs of archaeological sites in the region. Driven by his deep passion for documenting these magnificent historical sites, he was even planning to compile his extensive research into a book.

As we arrived at Rasha Ghata, we encountered a sight that stirred a mix of intrigue and sorrow. Engraved on a single boulder, we discovered two Buddha rock carvings, their once pristine features now defaced and marred. Curious about the cause of their deterioration, I turned to Majid for an explanation. He shared a poignant and disheartening story. During the Taliban era, local villagers, driven by a misguided belief, had intentionally inflicted damage upon these carvings. Mistakenly perceiving the Buddhist statues as symbols of sin, they deemed it their religious duty to deface them, resulting in significant vandalism to these engravings.

Renowned journalist Mr. Fazal Khaliq, a prominent figure in Swat, highlighted the historical significance of these carvings in one of his articles. He noted that the carvings hailed from the Gandhara Civilization, widely regarded as a cradle of Buddhism, which thrived from the early first millennium BC until the 11th century AD. Their existence served as a testament to the rich cultural and religious heritage of the region.

Luca Maria Olivieri, the esteemed head of the Italian Archaeological Mission in Pakistan, emphasized the importance of these carvings to archaeologists, historians, and tourists alike. Describing their significance, Olivieri explained that the sculptures found in the Swat valley were representative of the late Vajrayana Buddhist schools, which had flourished in Swat between the seventh and ninth centuries. The mission, in its dedicated efforts, had successfully documented a total of 221 sculptures, shedding light on the profound artistic and spiritual legacy of the region.

As I stood amidst the defaced carvings, their silent beauty resonated with a profound sense of loss and resilience. These engravings, though bearing the scars of human ignorance, served as poignant reminders of the enduring power of history and the urgent need to preserve our shared cultural heritage.








Sunday 28 April 2019

Jahanabad Rock Inscriptions

18-04-2019
All pictures are owned
Write up Text taken from Mr. Badshah Sardar Research Paper "Rock Art in Swat Valley"
Essay-3 Swat Archaeology Diaries 

Swat valley, an administrative district of the province of Pakistan is rich in innumerable ancient remains like stupas, monasteries, viharas, forts, castles, petroglyphs, carvings, rock inscriptions, painted shelters and stele. 


Jahanabad Rock Inscriptions
This hamlet is situated at distance of about one and half kilometer northeast of Shakhorai village and about five km northeast of Manglaur village on the left bank of Sairkhwar, is approachable by a Jeep track from main Malamjaba road. During the author’s field survey of the Valley he found three inscriptions on two gigantic living rocks. Two huge rocks on the hillside one is known as ‘Oba Ghat’ while the other is known as “KhazanaGhat”. The site is approachable by a steep rise over boulders and through thorny wild bushes. Two inscriptions are carved on ‘Oba Ghat’, meaning the rock of the water and there being a spring below it. The third inscription is engraved on a huge isolated rock of ‘KhazanaGhat’. Their details are as follows:
Oba Ghat Inscription-I 

Oba Ghat inscription-1

Measurement:  length 4 Meters, 3 lines in north south direction
Material: - Granite
Script: - Gupta Brahmi

Orientation:  Facing West

Ref:Bühler 1979: 135; Stein 1930: 50

Reading:Line 1: sarvvapāpasyākaranakusalasyopasampada
Line 2: svacittavyavadānam
Line 3: caetadbudanusasanam

Translation:  “Not to commit any sin, to acquire merit, to purify one’s mind - that is the teaching of Buddha”

Oba Ghat inscription-I, is a Sanskrit rendering of Dhammapada, verse 183 (Bühler 1979: 135). It carved on the upper portion of the rock immediately above the cave is engraved in bold and deeply incised characters. The inscription contains three lines in north south direction, carved high up in the center of the rock face; no one can reach or teach it from the ground surface. This inscription is in a bad condition due to weathering.Oba Ghat Inscription II.
Oba Ghat Inscription-II 
Oba Ghat Site- 2
Measurement:  Length 4 meter 4 lines North South Direction
Material: Granite
Script: Gupta Brahmi
Orientation: Facing West
Reference

Bühler 1979: 135; Stein 1930: 50
Reading 




Line 1: vācānurakst

Line 2: samvrtahkkāyanacaivakusalannakurvan
Line 3: tāstrāyinkarmapathānuisokyaāraghye
Line 4: nmārgamrpippraveditam
Translation




“(Let him be one) who guards his speech, is well restrained in mind, and commits no evil with his body. Keeping these three roads of action clear, one may gain the path taught by the Sages”

Oba Ghat inscription-II is a rather free Sanskrit rendering of Dhammapada, verse 281 (Bühler 1979: 135). Engraved in bold and deeply incised characters, having four lines, extends over a surface of about four metres in length in north south direction. The lower inscription is carved in the right lower corner of the rock and easily accessible to human activities. It is exposed to both natural and human vandalism.
Both inscriptions engraved on the western face of the rock; contain Sanskrit verses from the Dhammapada. The palaeographic character of their letters, according to Buhler’s analysis, seems to date the inscriptions as from the early Kushan period (Stein 1930: 50).
Khazana Ghat Inscription-III.
Khazana Ghat

Khazana Ghat

KhazanaGhat Inscription-III
Measurement: Length 2.5 meters, 3 lines in east west direction
Material:- Granite
Script Gupta Brahmi
Orientation: Facing West
Reference
Bühler 1979: 134; Stein 1930: 50



Line 1: anityāvava (sic! for vata) samskārāutpādavyaya

Line 2: dharminahutpadyahinirud (dh)yantetepā (read tesām)

Line 3: vyupasamassukham

Translation


“the Samskaras are truly subject to originating and decay. For, after originated the disappear. Calming them is happiness”


This is the famous verse spoken according the Maha-Parinibbana-Sutta, vi. 16, by Indra at the time of Sakyanuni’s death, or proclaimed by Buddha himself according to the Maha-Sudassana-Jataka (Bühler 1979: 134).
The stone, on which the inscription-III exists, is known as “KhazanaGhat”, as some treasure was at one time found near it. The extensive ruins still exist near the inscription. According to P. O. V. Hinüber, the inscription is well written in spite of two very obvious mistakes as indicated. Paleographicaly the inscription can be dated roughly to the 6th century CE (personal communication).

Conclusion

All the three are deeply and boldly incised on rough stones. The letters, which vary between two and four inches in height, resemble in many respects the so called North-Western Gupta Brahmi characters. Though all three inscriptions unfortunately have not furnished conformed date, yet they provide some justification to the following conclusion.
The Jahanabad inscriptions of Gupta Brahmi characters rendering a Dhammapada,verses reveal and testify the fact that Jahanabad was once an active center of Buddhism. On the basis of Palaeographical characters Hinüber roughly suggests a 6th century CE for these inscriptions (personal communication). According to him it is certainly not younger than about 650 CE at the very latest. Beside these three inscriptions, the colossal relief of Jahanabad Buddha of 7th century CE, and rock relief of seated Avlokitesvara of 7th century CE, in centre of the orchard are the living proof of Buddhism in the Swat valley (Sardar 2005: Pls. 68 and 69).
It was generally believed that Brahmi did not traveled towards North West regions of subcontinent, but the existence of these inscriptions reveal that during Gupta period Brahmi prevailed as language of Dhammapada, verse. It throws light on the fact that engravings and carvings practices were on peak during the 7th century CE in the Swat valley. Those who proposed a theory that Buddhist art was finished in 4th or 5th century CE should revise their thesis. In brief stone has been used from the time of immemorial for petroglyphs, engraving, paintings and writing purposes. It must be remember that any form of rock art has the capacity to display the unknown scene before our eyes. It should not be simply viewed as events depicting daily lives of the remote society. Rock art also renders a spiritual reality before us. It was undying material, used by the primitive man and one of its great functions was to make the rock art everlasting.
Sunset captured from OB Ghat Site


Thursday 25 April 2019

Jogian Sar and Amluk Dara Stupa



Elum Mountain, located in the Buner district, has held great significance for the Hindu community for centuries. Revered as a divine site and a place of pilgrimage, it is known as Jogian Sar among the locals and Ram Takhat (God's Throne) among Hindus. According to Hindu beliefs, Lord Ramchandra, the deity, spent time meditating on this mountain during his pilgrimage, known as binbas. As a religious practice, Hindus visit this sacred site every year in June, although the number of pilgrims has somewhat decreased in recent years.

The name Jogian Sar signifies the peak of the Jogis or Yogis, attributed to the presence of a few Hindu Sadhus (monks) who choose to meditate and reside on the mountain throughout the year. Atop this revered mountain, one can find the remains of ancient temples and a man-made pool carved entirely out of solid stone. This pool serves as a collection point for rainwater, considered holy by the Hindus.

A remarkable structure in the vicinity is the grand stupa of Amluk Dara, which, although now in ruins, still commands attention. Once standing as tall as the Pantheon in Rome, it is situated at the foot of Jogian Sar. This stupa was just one among many Buddhist structures in the kingdom of Udyāna, a prominent region along the Silk Road.

Amluk Dara lies on the route followed by Hindu devotees from lower Swat during their annual visit to the sacred peak of Mount Elum, which serves as a majestic backdrop to the stupa. Even during Buddhist times, the mountain's summit was a revered destination for pilgrims and may have been associated with legendary tales that have persisted to this day.

This area, owing to its strategic location connecting North India with Central Asia, has historically been of great importance. It often marked the borders of larger empires, with rulers from India unable to expand further north due to the mountainous terrain, while rulers from beyond the mountains faced challenges in extending their domains into the Indian plains. Notably, the renowned conqueror Alexander the Great waged significant battles in this region during his campaigns in Central Asia. His army marched east from the city he founded in Kapisa, known as Alexander on the Caucasus (Bagram), and fought numerous battles to gain control of the area. Some of these battles took place in the Swat valley, culminating in Alexander's successful siege of Aornos, an apparently impregnable mountain where locals had sought refuge. Identifying the precise location of this ancient battle has intrigued scholars for over a century, with Pir Sar and Mount Ilam being the most probable candidates.

Legend speaks of the Apalala, a serpent king residing in a high mountain lake in the Hindu Kush. Each year, the Apalala demanded a grain offering from the people residing in the Swat river valley, which flowed from the lake. When the people refused to make the offering, the Apalala flooded their lands as an act of revenge. Seeking help, the people turned to Buddha, who came to the valley, converted the Apalala, and left his footprint on a rock as a symbol of his visit. This footprint, now preserved in the local museum, serves as a reminder of Buddha's presence. The Swat River still floods, and for centuries, the valley remained a significant center of Buddhism. The choice of Amluk Dara and its central stupa was influenced by the landscape, with the fertile Swat valley portraying a picturesque setting with blooming flowers, lush hedges, and trees.

Scholars have highlighted the close connection between monasteries and the Indian concept of a garden, featuring pleasure groves and arbors. The establishment of monasteries often aimed to assimilate them into the cultural category of gardens. The selection of monastery sites considered the framing of views within the garden, which later travelers also noted. This careful selection of sacred spots added to the charm and allure of these places.

During its prime, news of Udyāna's Buddhist sites and temples spread along the Silk Road, carried by monks and merchants, with the mountain valley becoming part of the itinerary for pilgrim monks en route to India. The Chinese monk Faxian was among the first to record his visit to Udyāna around 403 AD. He stayed for several months, visiting the Buddha's footprint, the rock where Buddha dried his clothes, and the place where he converted the "wicked serpent." Faxian documented the presence of 400 Buddhist monasteries in the region.

The historical and religious significance of Elum Mountain, Jogian Sar, and the surrounding areas make them captivating destinations for pilgrims, scholars, and enthusiasts interested in exploring the cultural heritage and ancient wonders of the region.


Elum Mountain (Jogian Sar) in Background
























Wednesday 24 April 2019

An experience of hospitality in Kandak Valley, Barikot Swat

19-04-2019
Swat Archaeology Diaries Essay-1

In cities, you find many people who have lot of money and we can easily called them rich. But nowadays, it is difficult to find a human who is gifted with richness of soul. We were travelling in Kandak valley some 8 km from Barikot Swat. We saw an old farmer working in fields, we pay him regards and he in return without even  asking from us  brought bread and tea for eating.

Rich people are poor people with money and sometimes a rich heart may be under poor coat.


He also worked as a guard at one of the archeological sites. Unfortunately he did not receive any salary from last six months due to lack of funds and new Government.





Monday 15 April 2019

My visit to Chillianwallah Battlefield year 1996


15-04-2019
It was year, 1996; when, I first time visited Chillianwallah with a school trip. I have some of amazing memories of that place in my mind. At that time Lahore to Islamabad motorway was not constructed and we have to go through GT road.


at chillianwallah  Monument,  1996

Delightful drive through the beautiful countryside of Pakistan’s Punjab province brings you to the site of one of the most appalling battles in Britain’s history in India, Chillianwala. It was fought on 13th January 1849 between the Sikhs and an invading British army under the irascible General Sir Hugh Gough. Both armies were highly professional and had fought a number of brutal encounters over the previous few years. But nothing would quite match Chillianwala which was contested in gathering darkness in jungle so thick in places that the enemy was only rarely seen. Volleys of musket fire and artillery barrages through patches of heavy vegetation shredded hundreds of men on both sides. Although the British declared it a victory, in truth neither side won.

However the regiment which suffered the most debilitating casualties, Her Majesty’s 24th Foot, buried most of their dead elsewhere. The 24th had only just arrived in India and had been in the thickest of the fighting. They were further disadvantaged because they advanced too fast and got ahead of their supporting units but also due to an extraordinary order delivered by Brigadier Campbell that “There must be no firing, the bayonet must do the work”. Out of a thousand men the 24th lost 204 killed, 278 wounded and 38 missing; a casualty toll of 50 percent. The regiment also suffered the indignity of losing the Queen’s Colour (the other standard, the Regimental Colour, was saved and is now in Brecon Cathedral in South Wales).
The foundations of this monument were laid by Richard Southwell Bourke, the 6th Earl of Mayo, the Viceroy and Governor General of India, in 1871. 

AROUND THIS TOMB WAS FOUGHT THE SANGUINARY BATTLE OF CHILLIANWALLAH, 13TH JAN., 1849 ; BETWEEN THE BRITISH FORCES, UNDER LORD GOUGH, AND THE SIKHS, UNDER RAJAH SHER SINGH; ON BOTH SIDES DID INNUMERABLE WARRIORS PASS FROM THIS LIFE, DYING IN MORTAL COMBAT. HONOURED BE THE GRAVES OF THOSE HEROIC SOLDIERS! TO THE MEMORY OF THOSE WHO FELL IN THE RANKS OF THE ANGLO-INDIAN ARMY, THIS MONUMENT HAS BEEN RAISED, BY THEIR SURVIVING COMRADES, AT WHOSE SIDES THEY PERISHED: COMRADES WHO GLORY IN THEIR GLORY, AND LAMENT THEIR FAIL.



The Chillianwallah Battle was fought in almost the same area where Porus, with his elephants, chariots and archers had fought Alexander the Great’s cavalry.

Both armies held their positions at the end of the battle and Sher Singh withdrew to the north.
The repulse of the British, together with the loss of several guns and the colours of the 24th and two other regiments, and the rout of the 14th Light Dragoons, dealt a blow to British morale and is testament to the tenacity and martial skill of the Sikh army.

Chillianwallah bears similarities to the Battle of Ferozeshah (First Anglo Sikh War) where the British Empire hung in the balance.

Wednesday 10 April 2019

The Parsis of Lahore


All photos are owned 
18-08-2018
Text Source:-
A Hamid, the distinguished Urdu novelist, and short story writer writes a column every week based on his memories of old Lahore.
Majid Sheikh article Jews, Parsis, Chinese of Lahore.


As the sun is about to set, a group of pale tall men in spotless white can be found on the beach, the sacred Zoroastrian belt knotted around their waists. They stand at the edge, bend down and immerse both their hands into the water, which they then raise to their forehead, touching it briefly. Thereafter, they untie their sacred belts which they lift briefly to their brows, only to retie them. Then they turn their faces towards the setting sun and utter just three words: Humata, Hakata, and Havershta.

These three words belong to a four thousand-year-old language. When the sun finally sinks into the sea and its last rays disappear from the horizon, these pale-faced men in white gowns turn towards the east three times, three times towards the south, and three times towards the west. This they follow by dipping their hands in the sea again, touching their foreheads as they recite sacred texts under their breath. After the completion of the ritual, they disappear into the streets of the throbbing city, which is Bombay.
                           
Faravahar is the symbol of Zoroastrianism, The building is located on mall road Lahore


The Faravahar is one of the best-known symbols of Zoroastrianism, the state religion of ancient Iran. This religious-cultural symbol was adapted by the Pahlavi dynasty to represent the Iranian nation.

The winged disc has a long history in the art and culture of the ancient Near and the Middle East. Historically, the symbol is influenced by the "winged sun" hieroglyph appearing on Bronze Age royal seals (Luwian SOL SUUS, symbolizing royal power in particular). In Neo-Assyrian times, a human bust is added to the disk, the "feather-robed archer" interpreted as symbolizing Ashur.

While the symbol is currently thought to represent a Fravashi (c. a guardian angel) and from which it derives its name, what it represented in the minds of those who adapted it from earlier Mesopotamian and Egyptian reliefs is unclear. Because the symbol first appears on royal inscriptions, it is also thought to represent the 'Divine Royal Glory' (khvarenah), or the Fravashi of the king, or represented the divine mandate that was the foundation of a king's authority.

This relationship between the name of the symbol and the class of divine entities it represents reflects the current belief that the symbol represents a Fravashi. However, there is no physical description of the Fravashi is in the Avesta, the sacred texts of Zoroastrianism, and in Avestan, the entities are grammatically feminine.

In present-day Zoroastrianism, the faravahar is said to be a reminder of one's purpose in life, which is to live in such a way that the soul progresses towards fresh-kereti, or union with Ahura Mazda, the supreme divinity in Zoroastrianism. Although there are several interpretations of the individual elements of the symbol, none of them are older than the 20th century.

Even after the Islamic conquest of Persia Zoroastrianism continued to be part of Iranian culture in which throughout the year festivities are celebrated such as the Persian New Year or Nowrouz, Mehregan, and Chahar Shanbe Souri which are remnants of Zoroastrian traditions.

From the start of the 20th century, the Farvahar icon found itself in public places and became a known icon amongst all Iranians. The Shahname by Ferdowsi is Iran's national epic and contains stories (partly historical and partly mythical) from pre-Islamic Zoroastrian times. The tomb of Ferdowsi which is visited by numerous Iranians every year contains the Farvahar icon as well.

After the Islamic Revolution of 1979, the Lion and Sun which was part of Iran's original national flag were banned by the government from public places to prevent people from being reminded of life before the revolution, nevertheless, Farvahar icons were not removed. As a result, the Farvahar icon became a national symbol amongst the people which became somewhat tolerated by the government compared to the Lion and Sun. The Farvahar is the most worn pendant amongst Iranians and has become a national symbol rather than a religious icon, although its Zoroastrian roots are certainly not ignored.


These men are the descendants of Parsis who originated from Iran four thousand years ago when Iran was called Paras. They were known as fire worshippers because the fire that burns in their temples is never allowed to go out. After all, they believe the fire to be sacred. The Parsis also believe that the earth and water are sacred. That is why they do not burn their dead because that would amount to soiling the purity of fire. Nor do they dispose of them by consigning them to water because that would degrade their sacred character. They do not bury their dead either because that, they believe, would introduce impurity into the earth. Consequently, they place their dead either on top of a hill where their flesh is consumed by birds of prey or they place them in what is called towers of silence.
At some point in history, the Parsis moved from Iran to India, but they do not appear to have made any effort to spread their faith. It is said that since the Parsis were not idolaters, they might have been afraid that if Hindus converted to their religion, they might bring with their idolatrous practices. Parsis rarely marry outside their community, preferring to keep their race pure. Most of the Parsis of India lived in Bombay and were among the most prosperous of the city’s residents. The first multinational Indian company was Parsi-owned. They were also into banking, manufacturing, aviation, and shipping. The Parsis were the first in India to start playing cricket. They used to enter a Parsi team in the famous Bombay Pentangular tournament. Greatly respectful of their religion and their traditions, older members of the community would generally dress traditionally: a round black cap, a long coat, and pajamas of a certain cut. Parsi women wore their saris in their own distinct way, quite different from the way the garment is generally worn.

At the time of independence, quite a few Parsi families were living in Lahore, one I knew of, in Laxmi Mansion, where Saadat Hasan Manto came from Bombay to spend his last days. It was and is a small residential enclave just off the Mall between Hall Road and Beadon Road. Members of this particular Parsi family I often saw when on the Mall on their evening walk. I am talking of the early days of Pakistan when the roads of Lahore were quiet and placid and free of the noise and pollution of traffic that is their hallmark today. The young men of this family were always immaculately dressed and there was an amazing similarity in their looks. The Parsi ladies would keep their heads covered with the loose end of their saris. What I always noticed about them, in both men and women, was their dignity. You never heard them talking or laughing loudly. They had great poise and they would take their evening walk with measured steps, smiling shyly and talking to one another but in voices so low that even if you were walking right behind them, you did not hear a thing.

Ozir Zuby, the painter and sculptor, married a Parsi lady who was a very good artist. That was the only instance, at least in Lahore, of a Parsi marrying a non-Parsi. The liquor business in Lahore was a Parsi monopoly. On McLeod Road stood the Gandhi Wine Shop, owned by a Parsi gentleman, who was a man of principle and would absolutely refuse to sell liquor to anyone unless the person had a government permit. I remember trying all kinds of tricks to make him change his mind or make an exception, but it was just like running into a wall. There were other liquor shops in the city, all Parsi-owned. There was Edulji in Commercial Building. Then there was the English Wine Shop in Regal and the French Wine Shop next to the Shah Din Building. There was also a Parsi-owned wine shop in Temple Road towards its Mall end. There was another such outlet in Lahore Cantonment not far from Globe Cinema.

They are all gone – as is the Globe Cinema – but no one who drinks can go dry in the city of Lahore. The business has gone underground, like so much else in Pakistan. There also used to be a doctor on McLeod Road by the name of Dr. Barucha. He was a child specialist and if there is such a thing as healing touch, then he had it because a dose or two of one of his mixtures and the child would be up and running. There was also a wonderful Parsi laundry near Lahore Hotel run by an old gentleman who would sit behind his wooden counter and keep scribbling in an old register. Next to his laundry was a bookshop that only sold English books. All those shops have vanished and all those people are gone.

The Plaza Cinema, where we would go to watch Hollywood movies, had a Parsi gatekeeper who supervised the entry to the second class. He was a quiet man of sixty or sixty-five in strict Parsi attire who wore thick glasses and who always kept smiling. I would sometimes see him walking on the footpath that runs along the Lahore Zoo. In Nila Gumbad there used to be a Parsi Bank in an old two-story building. The sign outside showed an evenly balanced pair of scales held by a woman who resembled a figure from mythology. I have not been in that area for some time but I am sure the bank no longer exists. The Parsis of Lahore, like its Anglo-Indians, was like an ornament that the city wore. Their disappearance has left it poorer in more ways than one.

If you proceed along Lahore’s M.M. Alam Road, just before reaching Hussain Chowk to the left is a lane. As to travel along to the right is a large brick building. This is where the last of the Parsis of Lahore are slowly fading away.

Dr. E.P Bharucha memorial building


When I last visited this place two years ago there were only 28 Parsis left in Lahore. Today barely 12 old Parsis inhabit this special hostel built by a Parsi entrepreneur. The total number in Lahore today is 23 only. Of recent, I have been researching how small minority groups have been faring in large metropolises of the sub-continent. The idea is to understand how these old small groups have been managed in Lahore. So for the sake of this piece, let me try to compare how such groups fared in Lahore in Pakistan, and in Calcutta (Kolkata) in India. If anything it will bring forth how our own society functions, or even cares, and tries to understand, let alone tolerate, the narrative of small minority groups.
So let us start with the Parsi population of Calcutta. We see the first Parsis coming to this Bengali city in the 18th century. In Calcutta amazingly, the first Indian Census of 1837 shows 40 Parsis out of a population of 229,705. By 1901 this population rose to 274 and in 1921 it reached 620 Parsis. In 1947 there lived 3,465 Parsis who used three Parsi fire temples. It seems that the killings of ‘freedom’ hit them hard. In the 2001 Indian Census, the whole of India had 69,601 Parsis, of whom 98 lived in Calcutta. In 2016 that number had dramatically shrunk to a mere 27. Depressing to say the least.
A Pre-partition Parsis Residence  on Mall Road Lahore

In Lahore, a very similar situation emerged. The first Parsis came during the Mughal reign and stuck to business and provided the rulers with products not available within their domain. So the Parsis were always into shipping and trading, as they remain to this day. In 1947, Lahore had a Parsi population of 1,867 according to census sources. Then the decline started. In our youth, we lived next to the Parsi Temple on Rattigan Road, which sadly closed down in the 1970s. Today in Lahore a mere 23 remain, and their Parsi hostel in Gulberg lies almost empty as there are none left to occupy the rooms.
A Pre-partition Parsis Residence  on Mall Road Lahore

So where have they all gone? Research by the eminent historian, the late Sir Chris Bayly, puts forth three reasons to explain this dramatic decline. Firstly, they are to blame for they do not marry outside their faith. Hence a natural decline is inbuilt into this equation of ‘limited choices. Secondly, they have tended to move towards the major shipping cities, like Bombay (now Mumbai) in India, and Karachi in Pakistan, where their main population is concentrated. Lastly, the educated young, like other educated Pakistanis, have all flown away to the West. It seems the older generation refuses to leave these two cities and is slowly fading away. The young take their chances abroad.
A Pre-partition Parsis Residence  on Mall Road Lahore

In the sub-continent, the Parsi community was always highly educated, westernized, and tended to work in shipping, films, and theatre and were excellent and very honest corporate officers. Even today business companies prefer them for their competence and honesty.
Let us study another now almost extinct community, they being the Jews. Lahore had a Jewish population 1921 of 56 persons. Karachi has a higher number, even though Gen. Ziaul Haq got their only temple knocked down. Their only graveyard still stands. But then let me share some very interesting statistics. In the 2013 elections, 809 adult Jews were enrolled as voters. Amazingly, against 427 women, only 383 men were on the rolls. What is even more interesting is that in the 2017 voters list, their number has risen to 900 voters. As these are official figures there is little to doubt them. But as opposed to communal extremists, my view is that this is a good sign as opposed to the fate of our Parsis.
A Pre-partition Parsis Residence  in new Anarkali Bazaar Lahore

The point is where do they live in Lahore? The last Jewish family that we knew lived on Queen’s Road, but then they sold out 10 years ago and moved to their ‘Promised Land. As a journalist who walks the lanes of the old walled city, I do know of two families who allegedly are Jews, but then they are very poor and keep to themselves and celebrate every local festival with gusto … and why not? There was a time in the 1930s when Lahore’s money lenders, as well as some ‘businessmen’ in Taxali Chowk, were Jews.
A Pre-partition Parsis Residence  in new Anarkali Bazaar Lahore

In Calcutta, the picture is very different. In 1947, this Indian city had a Jewish community of over 6,000 as the famous writer Shalva Weil’s book tells us. Today that number has shrunk to a shocking 20 Jews only. Again they are all older people. Also, the five once-thriving synagogues have been reduced to only two, which sadly are maintained by ‘foreign’ Jewish organizations. The Calcutta Jews were known as Baghdadi Jews, as were those of Karachi. In 1947 as the Partition riots erupted in Calcutta with Israel also being created, shiploads of Jews left this port city for their new ‘motherland’.
*The only hostel in Lahore for old Parsis constructed near Hussain Chowk is  funded by 

Dr. Eddie P. Bharucha (December 28, 1916–December 14, 2017). The building has a name," Dr. E.P Bharucha memorial building."

Do you know who was Dr. E.P Bharucha?

He completed his MBBS and MD in both Mumbai (Bombay) and London. He was appointed as Honorary Physician in Medicine at KEM Hospital and GS Medical College in 1945. Between 1949 and 1952, he trained in neurology at the Hospital for Nervous Diseases, Queen Square, and the Maida Vale Hospital for Nervous Diseases in London. He then proceeded to the United States where he worked for 3 months each under Dr. Houston Merritt at Columbia University and under Dr. Denny Brown at Boston City Hospital. He returned to India in 1952 and became the first neuro physician to establish a Department of Neurology in India, at the KEM Hospital. The departments of neurology and neurosurgery were inaugurated in January 1953 with 12 beds each. By the time Dr. Bharucha retired, the KEM Hospital had all the core elements of the clinical neurosciences including neuropathology, electroencephalography, and electromyography, and the Department of Neurology had established a reputation nationally and internationally for excellence in patient care, teaching, and academic endeavors. Dr. Bharucha also established the Department of Neurology at the Bombay Hospital and continued in private practice until his mid-80s.
He was ahead of his time in many ways: he promoted and practiced seamless multidisciplinary care and established an epilepsy clinic at the KEM Hospital and later with the late Drs. Anil Desai and Noshir Wadia founded the Indian Epilepsy Association. He and his wife, the late Dr. Piloo Bharucha, promoted and practiced pediatric neurology long before all these were established concepts in many centers in more advanced economies. From the mid-1950s onward for many years, they ran clinics for neurological and pediatric assessment of children with poliomyelitis and cerebral palsy at what was formerly the Children's Orthopedic Hospital. He also played a pivotal role in establishing the Spastics Society of India (now Able Disabled All People Together).
Dr. E. P., as he was fondly known “Eddie” to his peers, held several positions in national and neurologically related international organizations and was widely respected. From a national perspective, he was a steadfast member of the Neurological Society of India and president in 1961. He was also a member of the Council of the National Academy of Medical Sciences, served as a Medical Council of India inspector,