Sunday 26 April 2020

The Ancient Buddhist Capital of Punjab, Taki also named Asarur (2018)


Following the footsteps of Alexander Cunningham 
Date of visit: - March 08, 2018
All Pictures are owned
Reference is taken from the book ‘The Ancient Geography of India’ by Sir Alexander Cunningham.

A few years back, I read notes of Sir Alexander Cunningham on Asarur the probable ancient Buddhist capital in Panjab before the Muhammadan period, which was visited by famous Chinese pilgrim Huen Tsang in 633 AD.
I want to visit this site of great historical importance for quite some time but know very little about the exact location of this place.  However, with this incomplete information about the location, I decided to visit Khanqah Dogran to find this site. Fortunately able to find it after a few hours of wandering and with help of a local's guidance. 
The View of Mound
Sir Alexander Cunningham was known as the father of the Archaeological Survey of India which he founded and served as the first director between 1861 to 1865. He spent sixty years in India in the Army and achieved distinction as an archaeologist and scholar of the ancient history and geography of India.

Cunningham was a keen student of Huen Tsang and Fa Hein(Chinese monks who came to India in the 7th and 5th centuries CE, respectively, in search of Buddhist scripture) and decided to retrace the journey of Huen Tsang to identify every single place mentioned by him.

His book, ‘The Ancient Geography of India’ refers here to India's Buddhist period up to the seventh century CE, during which time Buddhism was the subcontinent's dominant religion. In this work, he draws on material ranging from the campaigns of Alexander the Great to the travels of the seventh-century Buddhist pilgrim Huen Tsang, who recorded much about India's geographical, political, religious, and cultural landscape.

A mound near the modern village of Asarur (Now Khangah Dogran tahsil of Gujranwala District, Punjab has been identified by Cunningham as the site of the ancient capital of Panjab. It is visited by Hiuen Tsiang in 630 AD.

The city was then one of great importance and is said by the Chinese pilgrim to have been 3 miles in circuit, a measurement which agrees well enough with the ruins still existing. The antiquity claimed for the place is confirmed by a large number of bricks, 18 by 10 by 3 inches, which are found all over the ruins, and by the great numbers of Indo-Scythian coins discovered after heavy rain. Its history therefore indeed reaches back to the beginning of the Christian era. The ruins consist of an extensive mound, 15,600 feet, or nearly 3 miles, in the circuit. The highest point is in the northwest quarter, where the mound rises to 59 feet above the fields. This part, which Cunningham takes to have been the ancient palace, is 600 feet long and 400 feet broad, and quite regular in shape. It contains an old well, 21 feet in diameter, which has not been used for many years and is now dry. The place is surrounded by a line of large mounds about 25 feet in height, and 8,100 feet, or \\ miles, in the circuit, which were the strongholds or citadel of the place. The mounds are round and prominent, as the ruins of large towers or bastions. On the east and south sides of the citadel, the mass of ruins sinks to 10 and 15 feet in height, but it is twice the size of the citadel and is no doubt the remains of the old city.

The Mound where once citadel present 

Clearly can see old bricks in mound walls


Old Bricks of the Buddhist Era

Old Bricks of the Buddhist Era at the mound 

Debris at Mound

Another picture of Debris

Another Scene of Mound from fields

Mound

Mound

Mound

Mound

Most of  part of mound now converted into fields and residential areas of the village

Mound

An unknown Shrine was constructed on top of the Mound

Another view of Mound



There are no visible traces of any ancient buildings, as all the surface bricks have been long ago carried off to the neighboring shrine of Ugah Shah at Khangah Masrur on the road from Lahore to Pindf Bhattian; but among the old bricks forming the surrounding wall of the mosque, Cunningham found three molded in different patterns, which could only have belonged to buildings of some importance.

Mosque constructed of old bricks extracted from Ancient Mound. The mosque is not in used now

Another view of Mound 

View of Mosque from Inside

Another view of the Mosque 

Another View of Mosque 

Another View of Mosque 

Another View of Mosque 




He found also a wedge-shaped brick, 15 inches long and 3 inches thick. This must have been made for a stupa, or a well, but most probably for the latter, as the existing well is 2 1 feet in diameter. The modern village of Asarur contains only forty-five houses. At the time of Hiuen Tsiang's visit, there were ten monasteries, but very few Buddhists and the mass of the people worshipped the Brah- maniacal gods. North-east of the town, at 10 //, or nearly 2 miles, was a stupa of Asoka, 200 feet in height, which marked the spot where Buddha had halted, and which was said to contain a large number of his relics. This stupa General Cunningham identifies with the little mound of Salar, near Thatta Saiyidan, just 2 miles to the north of Asarur.

Sunday 12 April 2020

Hanuman Mandir Walled City Lahore (2020)

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All research and text is own
HANUMAN MANDIR WALLED CITY LAHORE

Date of Visit of Site
2nd February 2020
Title
HANUMAN KA MANDIR
Purpose
Hindu Worship Place
Location
Walled City Lahore, Inside Masti Gate
 Fatimah Jinnah College
On Jamdaran Gali
Year of Construction:  Unknown


Prior to the partition of British India in 1947, the Hindu community constituted the second-largest population in Lahore. During that time, the city had not expanded significantly beyond the periphery of the walled city of Lahore (WCL) and was home to numerous Hindu temples. However, in the present day, most of these temples and their adjacent properties have been illegally occupied. 

One such temple, named 'Hanuman ka Mandir,' is located inside 'Masti Gate' on 'Jamdaran Gali,' near Moti Bazaar. Hanuman, a prominent character from the Hindu epic Ramayana, was a Brahmachari (a lifelong celibate) and one of the Chiranjeevi. He is also mentioned in various other texts, including the epic Mahabharata and the Puranas.

Finding the location of this temple without a local guide can be quite challenging, as the main entrance is concealed behind the shops of the adjacent shoe market. A small stairway-like entrance leads to the structure of a two-story temple. Unfortunately, the current condition of the temple is deteriorated, and there is a risk of it collapsing at any time. The floor level of the temple is still four to five feet higher than the street level, indicating that it was constructed on a raised platform. On three sides of the temple, one can still observe rooms built using traditional Lahori bricks. After the partition of British India, not a single family remained in the walled city, and these rooms were left abandoned and occupied by impoverished families who had migrated from the other side of the border.

The structure comprises a single-story square "Sanctum," which was designed to house the deity. In the corners of the sanctum, squinches were constructed, filled with extended flower bouquet elements made of lime. However, these squinches have deteriorated over time. Surrounding the sanctum, there is an open assembly hall for devotees, known as "Ayatana" in Hindu terminology.

Above the square sanctum, the main temple features a curvilinear spire, commonly found in northern Indian shrines (Latinas). The construction of the curvilinear spire utilized smaller dimension bricks, which differ from those used on the ground floor of the temple.

One intriguing architectural feature of this temple is the construction of the Ardha Mandap (entrance porch), which has a small spire on its roof, resembling the pattern of the main spire.

A crowning ornament, known as "amalaka" in Hindu terminology, is missing from the top of the shikara. This ornament supports the embedded spire, which may have been gold-plated during the initial construction phase.

The temple is adorned with seven rathas, referred to as "saptaratha" in Hindi.

 On the external walls of the temple, one can observe double facet vertical offset projections, known as "ratha" in Hindu temple architecture. These rathas ascend from the base of the temple towards the superstructure. The corners of each ratha touch imaginary circles on the temple's plan centered on the murti (sacred image) in the sanctum. The sides of the rathas align along the primary horizontal axis of the temple.





These rooms must be used by devotees for dining and executing other religious activities.