This statue is a cultural artifact reflecting the aesthetics of a female body as conceptualized during that historical period.
The bronze girl was made using the lost-wax casting technique and shows the expertise of the people in making bronze works during that time.
The statuette was named “Dancing Girl” based on an assumption of her profession. She is one of two bronze artworks found at Mohenjo-Daro that shows a more natural pose than compared to other more formal figures.
The statuette has large eyes, a flat nose, healthy cheeks, curly hair, and a broad forehead. She is a tall figure with long legs and arms, high neck, subdued belly, and sensuously modeled.
The girl wears some bangles and a necklace. She has 25 bracelets on her left arm and four bangles on her right arm and is holding an object in her left hand. Her long hair styled as big bun rested on her shoulder.
The bronze girl was made using the lost-wax casting technique and shows the expertise of the people in making bronze works during that time.
The statuette was named “Dancing Girl” based on an assumption of her profession. She is one of two bronze artworks found at Mohenjo-Daro that shows a more natural pose than compared to other more formal figures.
The statuette has large eyes, a flat nose, healthy cheeks, curly hair, and a broad forehead. She is a tall figure with long legs and arms, high neck, subdued belly, and sensuously modeled.
The girl wears some bangles and a necklace. She has 25 bracelets on her left arm and four bangles on her right arm and is holding an object in her left hand. Her long hair styled as big bun rested on her shoulder.