Showing posts with label padmasambhava. Show all posts
Showing posts with label padmasambhava. Show all posts

Friday, 24 May 2019

Jambil River valley and three Buddhist Rock Carvings of Avalokiteshvara at Panr (2019)

All photos are owned
location: Panr, Drang Kukarai, Swat
Jambil River Valley

The Jambil River, one of the tributaries of the Swat River, flows through a picturesque valley that extends on both sides of its stream. This valley is a haven of natural beauty, offering breathtaking landscapes to those who explore its surroundings. Moreover, the Jambil River Valley is a treasure trove of ancient Buddhist remnants and carvings, providing valuable insights into the region's rich historical and cultural heritage.

One notable site within the Jambil River Valley is Panr, where archaeologists have excavated a stupa and monastery dating back to the 1st century CE. This remarkable discovery unveils the presence of Buddhist communities in the area during that period, highlighting their religious and architectural practices. The stupa stands as a testament to their devotion and the skillful craftsmanship of the time.

In addition to the Buddhist structures at Panr, other significant archaeological findings have taken place in the Jambil River Valley. At sites like Loe Banr, Butkara II, and Matalai, Italian archaeologists uncovered 475 Aryan graves dating between 1520 and 170 BC, as well as two horse skeletons. These discoveries shed light on the ancient burial practices and cultural traditions of the region.

Across the Jambil River, on the opposite side of the River Swat, lies Aligrama near the Saidu Sharif airport. Italian archaeologists made an intriguing discovery in this area, unearthing a site associated with the Gandhara grave culture. The site, dated to 1000 BC, provides valuable insights into the ancient civilizations that once thrived in the region and their burial customs.

Among the cultural and artistic treasures found in the Jambil River Valley are three Buddhist rock carvings depicting Avalokiteshvara. Avalokiteshvara, the embodiment of compassion in Buddhism, is depicted in the form of the lotus-bearer Padmapani in these carvings. He holds a lotus flower in his left hand and has a small figure of the Buddha Amitabha atop his head. These carvings, situated in Panr, exemplify the early representations of Avalokiteshvara, showcasing his serene posture and contemplative gesture. The antelope skin draped over his shoulder symbolizes his ascetic nature.

Exploring the Jambil River Valley offers a fascinating journey through time, immersing visitors in the region's natural beauty and rich historical past. From ancient Buddhist structures and Aryan graves to the captivating rock carvings of Avalokiteshvara, this valley serves as a window into the diverse cultures and civilizations that once flourished in this enchanting part of the world.

Site 1

Site 1 and Jamil River Valley in Background

Site 2, Avalokiteshvara Buddhist Carvings

Site 2


Site 3

Jambil River Valley View from Panr Drang Kukarai
Difficult hike to reach this site




Saturday, 11 May 2019

Jahanabad Buddha Reborn


Italian archaeologists have achieved a remarkable feat by restoring one of South Asia's most significant pieces of Buddhist art, nine years after it fell victim to a devastating attack by the Taliban.

The Jehanabad Buddha, renowned for its grandeur, suffered the loss of its face at the hands of Taliban militants. However, through a series of six month-long expeditions, an Italian-led team of restorationists has successfully reinstated the Buddha's visage, resurrecting its former splendor.

This majestic sculpture, an immense cliff-face carving, held an esteemed position as one of the foremost treasures of Buddhist art in the region, second only to the colossal Bamiyan Buddhas of Afghanistan. Tragically, the Bamiyan Buddhas, towering at heights of 115 and 174 feet, met their untimely demise in 2001 at the hands of the Taliban. In a similar act of wanton destruction, the Jehanabad Buddha suffered a similar fate in 2007 when militants callously implanted explosives into its face and shoulders under broad daylight.

Carved during the 6th or 7th century, this sculpture stands as a testament to the Swat Valley's historical significance as a thriving center of Buddhism. At its zenith, the valley radiated with the teachings and practices of the faith, attracting devotees and scholars from far and wide. It is worth noting that Padmasambhava, an influential figure in Tibetan Buddhism, is believed to have been born in the valley shortly after the statue's construction, further emphasizing its cultural and spiritual importance.

The successful restoration of the Jehanabad Buddha stands as a testament to the indomitable spirit of Italian archaeologists and their commitment to preserving and honoring our shared cultural heritage. Through their meticulous efforts, they have breathed new life into this extraordinary work of art, ensuring that future generations can marvel at its beauty and gain a deeper understanding of the profound Buddhist legacy that once thrived in the Swat Valley.