Ali Usman Baig : pre-partition architecture

Sunday 29 May 2022

An Old Mound and Gurdwara Sri Jhari Sahib Tergay (2021)

Kasur, Punjab, Pakistan ( 31°10'2.70"N, 74°29'35.33"E)

Relevance: Sikhism, Guru Amar Das Ji

Also known as

Gurdwara Patashi III Jhaari Saheb Tergay

Date of Visit:- 20 November 2021

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Gurdwara Sri Jhari Sahib stands in the decrepit condition in fields outside the Tergay village and is located 1.8 km from the Indian border.

Village Tergay is situated on Kasur-Qadiwind road about one km northeast of village Qadiwind.

While Sri Guru Amar Das Ji was traveling to Kasur, the residents of this village welcomed him with love and urged him to stay.

Guru Amar Das conceded and stayed here. A small Gurdwara was built in his memory. There used to be a bunch of trees nearby. Guru Amar Das had tied his horse to the trees which have withered away.

There is a grant of 2.5 ghumaon of land by Bhai Sulakhan Singh of Qadiwind and 2.5 ghumaon by villagers for the Gurdwara. A fair was held on Vaisakhi before Indo-Pak Partition.

It is also important to mention this Gurdwara is located near an ancient pre-historic mound.

Pre-historic Mound

Sunday 12 April 2020

Hanuman Mandir Walled City Lahore (2020)

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All research and text is own

HANUMAN MANDIR WALLED CITY LAHORE

Date of Visit of Site

2^nd February 2020

Title

HANUMAN KA MANDIR

Purpose

Hindu Worship Place

Location

Walled City Lahore, Inside Masti Gate

Fatimah Jinnah College

On Jamdaran Gali

Year of Construction: Unknown

Prior to the partition of British India in 1947, the Hindu community constituted the second-largest population in Lahore. During that time, the city had not expanded significantly beyond the periphery of the walled city of Lahore (WCL) and was home to numerous Hindu temples. However, in the present day, most of these temples and their adjacent properties have been illegally occupied.

One such temple, named 'Hanuman ka Mandir,' is located inside 'Masti Gate' on 'Jamdaran Gali,' near Moti Bazaar. Hanuman, a prominent character from the Hindu epic Ramayana, was a Brahmachari (a lifelong celibate) and one of the Chiranjeevi. He is also mentioned in various other texts, including the epic Mahabharata and the Puranas.

Finding the location of this temple without a local guide can be quite challenging, as the main entrance is concealed behind the shops of the adjacent shoe market. A small stairway-like entrance leads to the structure of a two-story temple. Unfortunately, the current condition of the temple is deteriorated, and there is a risk of it collapsing at any time. The floor level of the temple is still four to five feet higher than the street level, indicating that it was constructed on a raised platform. On three sides of the temple, one can still observe rooms built using traditional Lahori bricks. After the partition of British India, not a single family remained in the walled city, and these rooms were left abandoned and occupied by impoverished families who had migrated from the other side of the border.

The structure comprises a single-story square "Sanctum," which was designed to house the deity. In the corners of the sanctum, squinches were constructed, filled with extended flower bouquet elements made of lime. However, these squinches have deteriorated over time. Surrounding the sanctum, there is an open assembly hall for devotees, known as "Ayatana" in Hindu terminology.

Above the square sanctum, the main temple features a curvilinear spire, commonly found in northern Indian shrines (Latinas). The construction of the curvilinear spire utilized smaller dimension bricks, which differ from those used on the ground floor of the temple.

One intriguing architectural feature of this temple is the construction of the Ardha Mandap (entrance porch), which has a small spire on its roof, resembling the pattern of the main spire.

A crowning ornament, known as "amalaka" in Hindu terminology, is missing from the top of the shikara. This ornament supports the embedded spire, which may have been gold-plated during the initial construction phase.

The temple is adorned with seven rathas, referred to as "saptaratha" in Hindi.

On the external walls of the temple, one can observe double facet vertical offset projections, known as "ratha" in Hindu temple architecture. These rathas ascend from the base of the temple towards the superstructure. The corners of each ratha touch imaginary circles on the temple's plan centered on the murti (sacred image) in the sanctum. The sides of the rathas align along the primary horizontal axis of the temple.