Showing posts with label architecture. Show all posts
Showing posts with label architecture. Show all posts

Friday, 10 March 2023

'𝐌𝐮𝐫𝐪𝐚𝐧𝐚𝐬' 𝐭𝐡𝐞 𝐈𝐬𝐥𝐚𝐦𝐢𝐜 𝐚𝐫𝐜𝐡𝐢𝐭𝐞𝐜𝐭𝐮𝐫𝐚𝐥 𝐨𝐫𝐧𝐚𝐦𝐞𝐧𝐭𝐚𝐭𝐢𝐨𝐧 𝐟𝐨𝐮𝐧𝐝 𝐢𝐧 𝐯𝐚𝐫𝐢𝐨𝐮𝐬 𝐇𝐢𝐬𝐭𝐨𝐫𝐢𝐜𝐚𝐥 𝐁𝐮𝐢𝐥𝐝𝐢𝐧𝐠𝐬 𝐨𝐟 𝐋𝐚𝐡𝐨𝐫𝐞


Muqarnas, also known as "honeycomb" or "stalactite" vaulting, is a form of architectural ornamentation that can be found in various Islamic countries, including Pakistan.

Muqarnas is a form of decorative Islamic architectural ornamentation that is characterized by its intricate geometric and three-dimensional patterns. Lahore, the capital of the Pakistani province of Punjab, is home to many notable examples of muqarnas.

One of the most famous examples of muqarnas in Lahore can be found at the Wazir Khan Mosque, which was built in the 17th century. The mosque's main entrance gate features a stunning display of muqarnas, which is considered to be one of the finest examples of its kind in the world.

Another notable example of muqarnas in Lahore can be found at the Tomb of Jahangir, which was built in the early 17th century. The tomb's dome is adorned with a beautiful muqarnas ceiling, which features intricate geometric patterns and elaborate details.

Overall, muqarnas is an important part of Lahore's rich architectural heritage, and its presence can be seen in a number of the city's most iconic landmarks and buildings.

I am sharing pictures of 'Muqarnas' of different historical and religious buildings which I photographed in Lahore in the last eighteen years.  

1.      AKBAR SARAI


 

2.      ALI MARDAN



 

3.      ASIF KHAN TOMB

 


 

4.      BABA HASSAN DIN TOMB

 



5.      BADSHAHI MOSQUE


 

6.      WAZIR KHAN BARADARI






7.      DAI ANGA TOMB & GATEWAY






8.      JHANGIR TOMB


 



9.      MARYAM ZAMANI MOSQUE

 






10.   NAUKOT MONUMENT



11.   NUSRAT KHAN TOMB

 


 

12.   SHAHI HAMAM LAHORE

 



13.   SHAHI QILA SHAH BURJ GATE

 


14.   SHALIMAR BAGH GATE

 


15.   SONHERI MOSQUE

 

 


16.   WAZIR KHAN MOSQUE

 






17.   ZAFAR JHANG KOKOLTASH

 


 

 

 






Saturday, 25 February 2023

𝐀𝐧 𝐚𝐫𝐜𝐡𝐢𝐭𝐞𝐜𝐭𝐮𝐫𝐚𝐥 𝐫𝐞𝐯𝐢𝐞𝐰 𝐨𝐟 𝐒𝐚𝐞𝐞𝐧 𝐒𝐮𝐤𝐡 𝐒𝐡𝐫𝐢𝐧𝐞 𝐢𝐧 𝐂𝐡𝐢𝐧𝐢𝐨𝐭

07th March 2018

(All photographs and text used in this article are author's property, please take prior permission if needed of using them)

An elegant, traditional, and unique style of the shrine is present in Chiniot city. The shrine has four significant structures on its premises; two tombs, one minaret of the mosque, and one arched entrance to the shrine.  

Tomb-1

The first tomb is designed in the shape of a rectangular pavilion arcade that looks to be inspired by the Mughal architecture ‘Baradari” design; however, it has seven arched gateway openings on one side and six on the others. These arches run inside the pavilion as well. The repetitive nature of the arches gave an overall look of rhythm and symmetry in pattern, a sense of unity and continuity, and overall exquisiteness in architecture. Each arch is pointed cinquefoil type which is characterized by five cusps or pointed arches forming a floral shape. The arch is typically seen in Gothic architecture. The arch is raised from the impost.

In the front elevation, the Spandrels above the arches are decorated with floral motifs created most likely with plaster or lime mixture. However, the spandrels lying inside the pavilion are adorned with floral mural patterns painted in oil.

Above the spandrels, a band of brown tile runs all around the front facade, on the center of which a floral molding is present on all four sides.  

Exterior cornice molding: a decorative feature seen at the junction of the exterior façade and the roof. It is made by adjoining two C-Shape sections on the same axis but opposite directions made in plaster the outer edge is painted in green color.

On the edge of the roof, a small height of parapet wall runs along the periphery, which is constructed by installing tiles; these tiles having shaped like pointed arches; a common style inspired by Mughal architecture.

The corner columns are circular and fluted in style, with a series of parallel grooves carved into the surface and floral embellishments at the bottom.

On each corner of the roof slab, a small minaret also has been installed. 

On the ground floor, in the middle of rectangular pavilion graves are present around which walls are raised in squares to form a tomb. An entrance door is present in the center of this tomb. On the first floor, a quadrangular dome is raised; a type of dome structure that has a square or rectangular base instead of a circular one.

The most interesting and unique feature of this tomb, which, I haven’t seen elsewhere in Pakistan is that a square base lifted in the form of walls around 07 feet in height above which a dome is raised. On the front of these square walls, one can see a trademark of Chinioti's workmanship of creating an immaculate design of archivolts. A series of ornamental moldings form decorative bands around a blind arch in the center. This archivolt is composed of a series of arch bands, featuring intricate decorative patterns of floral motifs.

On the corner of this quadrangular dome, fluted pillars are present having balconies and dome shape moldings on the top.

An amalaka is a segmented or notched stone that sits on the top of Hindu temples, that represents a lotus. A molding of a similar design is present on the top of the quadrangular dome. Also, a finial is raised from the apex of the amalaka.