𝗔 𝗹𝗲𝘀𝘀 𝗗𝗼𝗰𝘂𝗺𝗲𝗻𝘁𝗲𝗱 𝗠𝗼𝘀𝗾𝘂𝗲 𝗶𝗻 𝗖𝗵𝗶𝗻𝗶𝗼𝘁- 𝗝𝗮𝗺𝗶𝗮 𝗠𝗮𝘀𝗷𝗶𝗱 𝗠𝘂𝗸𝗵𝘁𝗮𝗿 𝗛𝘂𝘀𝘀𝗮𝗶𝗻

07th March 2018

Nestled amidst the enchanting landscape of Chiniot Hill, lies the charming neighborhood of Mohalla Rajan Wala. This neighborhood is home to the illustrious Jamia Masjid Mukhtar Hussain, an ancient mosque that stands as a testament to the rich cultural heritage of the region. The mosque itself is a visual feast, boasting a magnificent fusion of Islamic art and traditional Chiniot influences.

Upon approaching the mosque, one's eyes are immediately drawn to the intricate floral motifs that adorn its exterior, adding an element of grace and beauty to the architectural marvel. Stepping inside, visitors are greeted by a sight that captivates the soul—an exquisite blend of Islamic artistry and the distinct Chiniot aesthetic.

The mosque features a striking single-centered dome, elegantly raised on squinches that provide structural support. These squinches are skillfully crafted, forming parallel arch frames that contribute to the mosque's architectural integrity. Such craftsmanship is a testament to the expertise and craftsmanship of the artisans of Chiniot.

However, it is the internal surface of the mosque that truly takes one's breath away. The interior walls are adorned with mesmerizing frescoes, meticulously designed and meticulously executed. The frescoes depict a rich tapestry of Islamic motifs, intricately interwoven with Chiniot's traditional artistic elements. Each brushstroke tells a story, breathing life into the sacred space and adding a sense of serenity to the ambiance.

The fresco work within the mosque not only showcases the artistic prowess of the craftsmen but also reflects the devotion and reverence of the community that built and nurtured this place of worship. It is a testament to their commitment to creating a spiritual sanctuary that is not only architecturally splendid but also spiritually uplifting.

The Jamia Masjid Mukhtar Hussain serves as a cultural treasure, preserving the unique architectural heritage of Chiniot and providing a spiritual haven for worshippers and visitors alike. It stands as a living testament to the harmonious blending of Islamic artistic traditions and Chiniot's distinct artistic legacy.

As one explores the mosque, it becomes evident that every corner, every detail has been carefully crafted to create an atmosphere of tranquility and devotion. The interplay of light and color, the intricacy of the designs, and the sheer grandeur of the mosque's interior transport visitors to a realm of timeless beauty and spiritual contemplation.

Jamia Masjid Mukhtar Hussain is not merely a place of worship; it is a living testament to the artistic heritage and spiritual devotion of the people of Chiniot. It stands as a reminder of the rich cultural tapestry woven by generations past, and it continues to inspire and awe those who have the privilege to witness its magnificence.

𝐒𝐡𝐚𝐡𝐢 𝐌𝐚𝐬𝐣𝐢𝐝 𝐂𝐡𝐢𝐧𝐢𝐨𝐭

  06th March 2018

The magnificent Shahi Masjid in Chiniot stands as a testament to the architectural prowess of Wazir Saad Ullah Khan during the reign of Emperor Shah Jahan. This mosque's design is said to bear a striking resemblance to the Jamia Masjid in Delhi, while its arches share a strong resemblance to those found in the Red Fort. It is noteworthy that both the Jamia Masjid and the Red Fort were not only constructed during Shah Jahan's reign but were also supervised by the esteemed Wazir himself.

Saad Ullah Khan, born into poverty in the village of Pataraki near Chiniot, resided near Lahore's Wazir Khan Masjid before eventually shifting to Delhi. This proximity may explain the similarities in the frescoes and side structures between the Wazir Khan Mosque and the Shahi Masjid. Following his appointment as Wazir by Shah Jahan, owing to his intellect and knowledge, Khan undertook the construction of a mosque in Chiniot, recognizing its strategic significance at the time.

The construction of the mosque spanned nine years, from 1646 to 1655 AD, thanks to Wazir Saad Ullah Khan's remarkable ability to accomplish the task without excessive expenditure. The mosque was erected on a single podium, elevated approximately 15 feet above the ground, and connected to the bazaar through two adjoining lanes. A central ablution pool graced the courtyard, while four minarets adorned the corners of the structure. Legend has it that these minarets were originally built with a unique stone known as Sang-e-Larzaan, earning their moniker as the "trembling stone," as they would sway slightly in the face of strong winds. The main prayer hall, crowned with three domes, featured four rows of majestic pillars adorned with intricate floral patterns and exquisite designs.

Throughout the Mughal era, the mosque stood in all its glory. However, when Punjab fell under Sikh rule, the armies of Ranjit Singh converted the mosque into a stable in 1816, marking a stark transformation of its purpose.

Jamek Mosque of Kuala Lumpur (2017)

December 05, 2017

The mosque was built on the location of an old Malay burial place at the confluence of Klang and Gombak Rivers and was named Jamek Mosque. A couple of mosques previously existed in the Java Street and Malay Street area serving the Malay communities, but Jamek Mosque was the first large mosque to be built in Kuala Lumpur.

The foundation stone of the mosque was laid by the Sultan of Selangor, Sultan Sir Alaeddin Sulaiman Shah on 23 March 1908, and the Sultan officially opened the mosque on 23 December 1909.

The mosque has since been enlarged with extensions built, and the originally open-air forecourt roofed over. One of the domes of the mosque collapsed in 1993 due to heavy rain but has since been repaired.

On 23 June 2017, the mosque was renamed Sultan Abdul Samad Jamek Mosque by Selangor's Sultan Sharafuddin Idris Shah after his ancestor — the fourth Sultan of Selangor Sultan Abdul Samad — as the mosque was originally built on land that was part of the state of Selangor.

The architect was Arthur Benison Hubback who designed the mosque in the Indo-Saracenic style, loosely reflecting the Indian Muslim Mughal architectural style.

The design of the mosque has been described as Moorish, Indo-Saracenic, or Mughal architecture. A. B Hubback also designed a number of building in similar styles, such as the Kuala Lumpur railway station and the Ubudiah Mosque in Kuala Kangsar.

The mosque has 2 main minarets among other smaller ones; the pattern of pink and white banding of the minarets, formed of brick and plaster, has been described as "blood and bandage". The mosque has 3 domes, the largest of which reached 21.3 meters (70 ft) in height. The prayer hall is located beneath the domes. The mosque was refurbished in 1984 and the minaret nearest the river was underpinned as it was already sloping.

Jamek Mosque, officially known as Sultan Abdul Samad Mosque is one of the oldest mosques in the city. Kuala Lumpur Malaysia. The mosque was designed by Arthur Benison Hubback and built-in 1909 near the Klang and Gombak rivers.

A HISTORICAL MOSQUE of LODHI ERA in EMINABAD (2020)

32° 2'18.27"N 74°16'7.21"E

Relevance: Historical Mosque

Date of Visit:- 23 August 2020

(All pictures are owned, kindly respect copyrights)

Article No. 8 on Eminabad

 

Eminabad, situated about 10 to 15 kilometers southeast of Gujranwala city, holds a rich historical legacy dating back to ancient times. According to historical accounts, the town is believed to have been inhabited as early as the first century BCE by Raja Salavan of Sialkot, marking its ancient origins.

Before the partition of Hindustan, Eminabad was home to a diverse community of Hindus, Sikhs, and Muslims, living together in harmony. The echoes of this multicultural past can still be witnessed through the remnants of stunning architecture scattered throughout the town. Havelis, gardens, gateways, temples, and gurdwaras stand as testimony to the vibrant and diverse heritage that once thrived in Eminabad.

The town has witnessed significant historical events as well. In 1521, the Mughal Emperor Babar invaded Eminabad, leaving his mark on its history. It is also documented that during this period, Baba Guru Nanak, the founder of Sikhism, resided in Eminabad, further adding to its historical significance.

Located on the outskirts of Eminabad is a monument that continues to stand tall. Respected Pakistani architect and historian, Kamil Khan Mumtaz, has attributed this structure to the Lodhi era, which spanned from 1451 to 1525. The monument is believed to be a mosque, showcasing the architectural style of that era.

The mosque exhibits a rectangular shape, measuring 32 x 60 feet. Its roof is supported by arches placed at regular intervals of 20 feet along its width. Rising from the center of the structure is a dome, adding an elegant touch to its design.

As a professional civil engineer, I was intrigued by Kamil Khan Sahib's assertion that this mosque belonged to the Lodhi era. To satisfy my curiosity, I visited the site and discovered that the dome's interior showcased both squinches and pendentives, unique features of the Lodhi era architecture. The Lodi dynasty, part of the Delhi Sultanate, made significant contributions to the architectural heritage of the region during their rule. They constructed numerous magnificent mosques and tombs, leaving an indelible mark on the architectural landscape.

Exploring Eminabad allows us to delve into the town's rich historical tapestry. The presence of diverse religious structures and architectural remnants provides a glimpse into the harmonious coexistence of different communities in the past. It is essential to appreciate and preserve these historical treasures, ensuring that future generations can connect with their roots and appreciate the cultural diversity that has shaped the region over centuries.

Other articles on #Eminabad

https://aliusmanbaig.blogspot.com/2020/09/old-eid-gah-eminabd.html

 https://aliusmanbaig.blogspot.com/2020/10/an-ancient-mound-of-eminabad.html

 https://aliusmanbaig.blogspot.com/2022/06/a-pre-partition-sikh-haveli-in-eminabad.html

 https://aliusmanbaig.blogspot.com/2022/06/the-five-pre-partition-hindu-temples-of.html

 https://aliusmanbaig.blogspot.com/2022/06/an-unknown-pre-partition-sikh-samadhi.html

 https://aliusmanbaig.blogspot.com/2022/06/a-dilapidated-pre-partition-shamshan.html

 https://aliusmanbaig.blogspot.com/2022/06/remains-of-crumbling-mausoleum-in.html

RAJGAN MOSQUE (2018)

RAJGAN MOSQUE

—All photos by the author

Date of Visit: -      29-03-2018

Masjid Rajgan, renowned for its name and historical significance, was constructed in 1872 by Raja Sultan Jehandad Khan, who happened to be the grandfather of the esteemed senior parliamentarian and former Chief Minister of NWFP, the late Raja Sikandar Zaman Khan. Raja Sultan Jehandad, also known as the founder of the old Khanpur Town, faced a challenging situation when the town was eventually submerged by the creation of Khanpur Lake in the late 70s, leading to the resettlement of its inhabitants in the newly established Khanpur and nearby areas.

According to the accounts of local elders and members of the Khan family, Jehandad Khan invited skilled architects specializing in Islamic Art from Delhi to undertake the construction of the mosque nestled in the picturesque valley. These architects skillfully employed bricks and exquisitely carved black stones in the construction process, lending the mosque its aesthetic allure. The wood used for the doors, cupboards, and roof was imported from the scenic Leepa Valley. The historic mosque, an emblem of ancient Islamic architecture, boasts two prominent minarets and two smaller ones, with a charming dome-shaped minaret gracing its center.

Four of the mosque's arched entrances, along with the main gate, bear striking resemblance to the Jamia Masjid in New Delhi, a masterpiece commissioned by Emperor Shah Jehan during the period of 1650-1656 AD. According to local elders, the finely chiseled black stones utilized in constructing the main boundary wall of Masjid Rajgan were imported from India. However, there are conflicting beliefs among some individuals who contend that the stones may have originated from the ancient city of Taxila, a renowned center of craftsmanship.

Initially designed to accommodate approximately 1,000 worshippers, the mosque now stands abandoned, witnessing the gradual deterioration of its walls with the passage of time. In its prime, the mosque served as a spiritual sanctuary for the local community, attracting devotees and scholars alike.

The palace associated with the mosque was a remarkable architectural marvel in its own right. Crafted with the same skill and precision, the palace featured intricately chiseled stones and timber sourced from the enchanting Leepa Valley. The windows were adorned with exquisite Belgian glass, while Italian tiles embellished the interiors, and French door knobs added a touch of elegance. The construction of this grand palace, complementing the magnificence of Masjid Rajgan, spanned ten years and incurred a total cost of Rs1.2 million in 1872.

 

A forgotten 15th-century mosque in outskirts of Khanqah Dogran (2018)

Following the foot steps of Alexander Cunningham 

Date of Visit: - March, 08, 2018

All Pictures are owned

Asarur near Khangah Dogran (also known as Masrur), was the capital of a kingdom stretching from the Indus to the Beas. Huen Tsang calls the town he visited as Tse-kia, and describes it as the capital of a kingdom embracing the whole of the plains of the Punjab from the Indus to the Beas, and from the foot of the mountains to the junction of the five rivers below Multan. The site of this town, with a near approach to certainty, is identified by Genral Cunningham with a mound in this district near the modern village of Asarur. Popular tradition is si lent as to the history of Asarur. The people merely state that it was originally called Udamnagar or Uda Nagari and that it was deserted for many centuries until Akbar's time when Ugah Shah a Dogar, built the mosque which still exists on the top of the mound. In construction of this mosque bricks extracted from the mound have been used. The mosque is in dilapidated state and roof beam has fallen at many places. Also, currently it is not used for offering prayers. 

The antiquity claimed for the place is further confirmed by the unusually large size of the bricks 18" x 10" x 3", which are found all over the ruins, and also by the Indo-Scythian coins which until the recent past used to be found in great numbers after rains. Its history, therefore, certainly reaches back to the first century before the Christian era.