Showing posts sorted by relevance for query mandir lahore. Sort by date Show all posts
Showing posts sorted by relevance for query mandir lahore. Sort by date Show all posts

Tuesday, 1 August 2023

Lala Nihal Chand Temple (1876-77) and Nostalgic Reminiscences of Lahore pre-1947 as Told by His Granddaughter

Inside the Lahori gate, a tall, elegant curvilinear spire of a Hindu temple adorned with intricately designed Rathas on all faces, raised on fluted pillars perched atop with architectural embellishments and prowess. The temple is hidden amidst the new urban construction of the Walled city of Lahore. This architectural marvel still stands tall, whispering tales of the past.


The temple takes its name from Lala Nihal Chand, who served as a contractor for the colonial government.

A few months ago, I received a heartfelt email from Mr. Raghav Nayyar, a direct descendant of the esteemed Lala Nihal Chand. His grandmother holds the proud title of being Lala Nihal Chand's granddaughter. In his message, he expressed his appreciation for my blog and shared his passion for our shared history in Punjab. He mentioned how few internet sources document the beauty and multicultural history of the region.

Currently residing in the US, Raghav expressed his desire to visit Delhi whenever possible and his ultimate wish to explore Lahore and Gujranwala, the cherished homes of his family before the partition, in beautiful Pakistan. His curiosity about my experiences led him to inquire if I had the chance to visit the Lala Nihal Chand Mandir during my excursions.

As Raghav and I exchanged words, I couldn't help but feel the strong connection he had with his ancestral heritage. The temple's significance in his family's history is evident, with its picture proudly displayed on his wall.

Picture of Mandir Shared by Raghav


After three attempts, I finally set foot inside the magnificent Lala Nihal Chand Temple, nestled near the Lahori Gate. The present owner, unfortunately, wasn't too welcoming to visitors, but my determination prevailed, and I was able to explore this remarkable edifice firsthand. As I embark on writing an article about this architectural marvel, I turned to Raghav Nayyar for assistance in unraveling its historical background.

they are shops and resident quarters on entrance of temple building

The entrance arched gateway turned into shops


Raghav told me that his Nani has shared with him a few of her memories. He requested her Nani sibling who is older than her for more details.

Here is a transcription of my Nani's memories about the mandir. Most refugees don't speak about their life’s pre-partition. My Nana spoke about his life in his final years.

What I like most about this story is it shows Muslims and Hindus coexisted and befriended each other in this beautiful city. I am grateful that you visited the temple, and that it still exists.

When we were young, we used to come from Racecourse Road to pick up our father from Sutar Mandi, where he used to sit for his batik to listen to all the people around him, all problems they are having. We used to visit the mandir also, almost every day, to do our puja and all that as children. There used to be a masjid also next door. The road used to be with bricks, a small road street, all the red bricks were there. There used to be a Bagchi, known as a small garden. In between there used to be a walking place and both sides were the Bagchi.

 And when my father he passed away in '57, June they held a puja for him. All the people from there got together and did puja for my father. He was so well-known and so caring for everyone. No one has any problem with him at all.

I don't remember the mandir's name. My father's name was Rai Sahib Narsingh Das Chopra.

Mandir I am talking about in Lahore. That was known as Lala Nihal Chand Chopra, who built the mandir. It used to be known for our family mandir. He was my grandfather. He passed away at a very early age also. His Samadhi is also there in the mandir. We all almost every day used to go to puja. My mother, my auntie all of them used to go every second day.

There used to also be a Pandit ji named Khushi Ram, and he became a very close family member. We used to go and see the masjid sometimes because my grandfather had built a kua (well) and his name should still be there. We used to have such a good relationship with each and every one. Never had any problem.

So, in addition to the mandir, my grandfather built a haveli also very close by in the same area and there used to be another building where I still remember as a child my father used to go listen to all the people's problems. It used to be beautiful, ceiling and the worth seeing that part of it also.

Then my Nihal Chand, my grandfather, had a Katra Nihal Chand where there used to be I think 107 houses or something on his name.

One of the community members who used to do dye business used to dye the clothes in Sutar Mandi itself, but he lost his father. One evening, one afternoon we came around 4 to pick him, my father. He says no, I won't be able to come back with you children as I have to go for something. And my father put his pagri, his saafaa pagri in the buggy and says you go back home and send whatever Tonga, buggy, car, whatever is there. Send it back to me because I have to go and attend the ceremony. And he was so caring for everyone, he never realized who was from which religion, which place but everyone used to be part of our family.

Very sweet of Ali. God bless him.

You can't imagine how much I used to remember our Sitla Mandir whenever a child with measles or chicken pox. After the recovery, we will go there to take the blessings. Used to be in one corner of the road.

After picking up our father from Sutar Mandi we will stop to buy fried pakora from dariwala at the corner of the street and used to be so many stalls of fruits and buy fruit from there. Still, remember once I was wearing pink color orange, and a cotton fabric frock. They ask me how beautiful the dress is looking and started talking around them. Later on, advised by family, girls are not supposed to do all that.

Khan Sahib, our very close and good friend, used to go to Mussoorie Hill station together. The perfect human being. He saved my father, and after the partition, my father came to Mussoorie. Can you imagine later on, he came to the Amritsar border with a few portraits of his grandfather, father, and other family members, three big paintings from the mandir also.

By the end of Jan 1957, Khan Sahib passed away. My father really cried. His best friend has gone.

We started school, at Sacred Heart, then Sir Ganga Ram school. All my sisters and younger brother used to go there early morning and three Maali used to come with bouquets of flowers for our class teachers.

Tonga, two, and one buggy will take us to school very close by, on Jail Road only. My older brothers used to go to St Anthony School.

Every Sunday, the band used to play on Mall Road, on the mall.

Every Thursday I do remember Mia Mir to get his blessing. Can't understand why I have so much faith in all the gurus. The Lahore temple had the statues of Ram, Sita, Lakshman & Hanuman. Pandits would do puja daily and local residents of Sutar Mandi would attend. Dussehra time was the big event annually.

July 16, 2023

It was heartwarming to see how he and his family were eager to connect with their roots and shared such great details with me. As the stories unfolded, my heart swelled with gratitude for being able to witness the remnants of this glorious past. The Lala Nihal Chand Mandir, though time-worn, still stands tall, preserving the memories of an era when love, harmony, and coexistence were cherished values.



Saturday, 4 August 2018

Mandir in Model Town Lahore


Elevation has taken from narrow street of girls school


03-08-2018
Title:-

Mandir in Model Town Lahore
Shiv Temple
Shivala of model town Lahore
Hindu Temple in Model Town Lahore


Purpose:-

Hindu Worship Building

Location:-

Model Town Circular Rd, Block D Model Town, Lahore, Punjab
31°29'23.37"N, 74°19'7.12"E

Year of Construction:-

Not accurately known, it is said that it was constructed somewhere between the years, 1920-25.

The symbol on the front wall is known as "OM" in Hinduism, all rituals in Hinduism start with "OM". This calligraphy is the message of "OM"

Brief Synthesis of Architecture of Temple:-

By Ali Usman Baig
The current temple was considered one of the examples of modern architecture of its time. On the ground floor, you will see column beams of bricks present this element further reinforced with steel bars. Modern Kiln Bricks are used in ground floor construction, which is further plastered with lime.

The structure consists of a single-story square “Sanctum” which was designed for placing the housing deity. In the sanctum room, a corner squinches portion is filled with extended flower bouquet elements made of lime. Around all four sides of the sanctum assembly hall for devotees present in Hindu terminology it is called “Ayatana”
From the square sanctum structure main temple curvilinear spire (tower, sikhara) is raised, which is a common type of northern Indian Shrines (Latinas). For the construction of the curvilinear spire small dimensions of bricks are used which are different from the ground floor of the temple.

A crowning ornament on the top of the shikara is present; it is called “Amalaki” in Hindu terminology this support an embedded spire that might be gold plated at the start of its construction.

On external walls of temples, you will see a double facet and a vertical offset projection. In Hindu temple architecture it is called “ratha”.

In front of the main temple building, there is a dome-shaped structure present, on first impression it looks like a Sikh Samadhi. However, it is said that this building was used by the Pandit of the temple as a residence.


Haunted and Paranormal Activities:-

This mandir main complex is closed with 15 ft high walls on three sides, whereas on the fourth side there is a girl school building present, the only way to reach this mandir was left from inside of this school in form of a narrow path.  The mandir site is abandoned for more than half a century nobody normally enters inside. Interestingly except for my blog you will not find any picture of this mandir that has been taken from inside. I went peacefully and did detailed photography to document the place. When I came out, the watchman of the adjacent school started a conversation with us, I was appreciating at least a boundary wall is constructed to protect the place from further collapsing. But his answer left me in a paradoxical condition that a boundary wall is not made for the protection or conservation of this site. Adjacent neighbors in recent years have observed serious paranormal activities happening inside this temple. I wished to accuse the watchman that he should have told us this before allowing us to visit but I thought nothing is done now. 
It looks like Smadahi to me but it is believed that it was the entrance of the mandir

Another view of the Temple was taken from the courtyard of the adjacent girl's school

Integrity and Current Condition

The current condition is very bad the ground floor column, beam, and slab were demolished in response to Babri Masjid Shaheed in 1992; the structure is dangerous to visit from inside and could be collapsed at any time

View taken from adjacent Houses

Inner Domes

History of Model Town
Source  Parkash Tandon
For the first generation of professional men in Punjab, it had been the natural thing after retirement to go back to the place they came from, and spend their last years as a respected elder, village, or small town society. But father’s generation had grown away from their background, for them it was a question to find a congenial place to settle down. While I was still in England my father retired from service and built himself a house in Model Town, a suburb six miles out of Lahore.
Model Town was a place, the like of which had never been and will never be seen again. It was almost entirely populated by retired government officials, who all addressed each other as Rai Sahib, Rai Bahadur, Khan Sahib, or Khan Bahadur, Sardar Sahib, or Sardar Bahadur.
Somebody had conceived the idea in 1925 of acquiring a big tract of jungle wasteland, a few miles out of Lahore, dividing it up into plots, and constituting it as The Model Town Co-operative Society. Everyone who bought a plot became a member with a vote in the Society. The plan of the town was completely geometrical. It had a series of concentric circular roads, crossed by four main roads at right angles, and smaller roads in between, all beginning from the inner circle and dividing the area into equal segments. The roads had no name, but the blocks were alphabetically numbered so that our address was 12G while the house opposite was 12F. To the old school of thought, this was quite enough to paint on the gate. Later arrivals started giving their homes poetical names.
The big circular area in the middle was common property and traversed only by footpaths. Only thorny shrubs grew there, but it was intended to become a public park. On its periphery have marked the sites for the library, school, Barat Ghar for housing wedding parties, and other public institutions. Only the club, the hospital and dispensary, and the women’s club had been built so far. There were several private schools. Special areas were set apart for markets and shops. There were a mosque and a temple, perhaps the most attractive examples of modem religious architecture I have seen in India, and a Sikh Gurdwara. For practical measure, there were also cremation and burial grounds.


View of Mandir from Road

View of the spire (Tower) from the sanctum. you can see small size bricks are used in construction 

A place for Housing Deity 

Sanctum

Squinches at corner filled with floral elements

Sanctum

Squinches in Sanctum

Squinches in Sanctum

Column Beam structure about to collapse

Sanctum where diety placed

remnants of craftmanship on brick Column

Inner Side of Shades extended from the roof of the temple

Adjacent Streets

View from the adjacent street, this house was part of a temple now occupied by migrants families 

Inner View of Temple



The girl's school in which this temple located

View from classroom

A collapsed Column





Inside View of Dome of Entrance Building

Inside View of Dome of Entrance Building



Inside View of Entrance Building

View of Entrance Building

Floor tiles of rooms suppose to be made for devotees or residents of Pandit




Sunday, 12 April 2020

Hanuman Mandir Walled City Lahore (2020)

All pictures are owned
All research and text is own
HANUMAN MANDIR WALLED CITY LAHORE

Date of Visit of Site
2nd February 2020
Title
HANUMAN KA MANDIR
Purpose
Hindu Worship Place
Location
Walled City Lahore, Inside Masti Gate
 Fatimah Jinnah College
On Jamdaran Gali
Year of Construction:  Unknown


Prior to the partition of British India in 1947, the Hindu community constituted the second-largest population in Lahore. During that time, the city had not expanded significantly beyond the periphery of the walled city of Lahore (WCL) and was home to numerous Hindu temples. However, in the present day, most of these temples and their adjacent properties have been illegally occupied. 

One such temple, named 'Hanuman ka Mandir,' is located inside 'Masti Gate' on 'Jamdaran Gali,' near Moti Bazaar. Hanuman, a prominent character from the Hindu epic Ramayana, was a Brahmachari (a lifelong celibate) and one of the Chiranjeevi. He is also mentioned in various other texts, including the epic Mahabharata and the Puranas.

Finding the location of this temple without a local guide can be quite challenging, as the main entrance is concealed behind the shops of the adjacent shoe market. A small stairway-like entrance leads to the structure of a two-story temple. Unfortunately, the current condition of the temple is deteriorated, and there is a risk of it collapsing at any time. The floor level of the temple is still four to five feet higher than the street level, indicating that it was constructed on a raised platform. On three sides of the temple, one can still observe rooms built using traditional Lahori bricks. After the partition of British India, not a single family remained in the walled city, and these rooms were left abandoned and occupied by impoverished families who had migrated from the other side of the border.

The structure comprises a single-story square "Sanctum," which was designed to house the deity. In the corners of the sanctum, squinches were constructed, filled with extended flower bouquet elements made of lime. However, these squinches have deteriorated over time. Surrounding the sanctum, there is an open assembly hall for devotees, known as "Ayatana" in Hindu terminology.

Above the square sanctum, the main temple features a curvilinear spire, commonly found in northern Indian shrines (Latinas). The construction of the curvilinear spire utilized smaller dimension bricks, which differ from those used on the ground floor of the temple.

One intriguing architectural feature of this temple is the construction of the Ardha Mandap (entrance porch), which has a small spire on its roof, resembling the pattern of the main spire.

A crowning ornament, known as "amalaka" in Hindu terminology, is missing from the top of the shikara. This ornament supports the embedded spire, which may have been gold-plated during the initial construction phase.

The temple is adorned with seven rathas, referred to as "saptaratha" in Hindi.

 On the external walls of the temple, one can observe double facet vertical offset projections, known as "ratha" in Hindu temple architecture. These rathas ascend from the base of the temple towards the superstructure. The corners of each ratha touch imaginary circles on the temple's plan centered on the murti (sacred image) in the sanctum. The sides of the rathas align along the primary horizontal axis of the temple.





These rooms must be used by devotees for dining and executing other religious activities.